The black and white images of Suzanne that he’d developed and printed as the week dragged on, “Are you serious?” now seemed feeble as they finally faced each other, “Where?” Her forearm brushed his, “Right near where we met,” as he led the way toward the exit, “in Washington Square.” When she passed through the gate and they embraced he knew something extraordinary was happening. ![]() He met Suzanne by the token booth at the Clinton-Washington G stop, “I got two hits of acid on my way over here,” she exclaimed while passing through the wooden gate, “isn’t that insane,” which slammed behind her. at the Whitney Biennial / “Supposium 2014” at MoMAīrian got up early that Saturday to do his laundry then tracked down a friend who owed him ten dollars and scored some crystal meth in the process. Semiotext(e): 28 Pamphlets for the 2014 Whitney BiennialĬritical Practices, INC. The George Kuchar Reader, Edited by Andrew Lampert.Richard Barnett’s The Sick Rose: Disease and the Art of Medical Illustration Paul Chan’s Selected Writings, 2000–2014 edited by George Baker and Eric Banks Soft/Not-soft Doppelgänger (12 Meditations)
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